English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

' is text critically evaluates how the idea of self-management changed and materialized in Yugoslavia, especially during the sixties and seventies. ' e " rst section presents a general overview of politics concerning self-management and its paradoxical and contradictory unfolding, while the second section focuses on the contours of the Yugoslav cultural sphere, especially in the " eld of " lm from the late " ( ies to the early seventies. More concretely, the author intends to sketch the ways in which social ownership and self-management forms were inscribed in cultural infrastructure and budget planning, drawing a) ention to the precarious status of cultural work.

A Few Notes on the History of Social Ownership in the Spheres of Culture and Film in Socialist Yugoslavia From the 1960's to the 1970's