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In this work, we address the articulation between politics, cultural diplomacy and cinema, in relation to Argentina’s ties with Nazi Germany in the period prior to the declaration of World War II. First, we characterize the cultural relations between Germany and Argentina, taking into account the deployment of German cultural diplomacy in the country and the links it established with the local community, particularly in the field of cinema. In the second section, we describe the circulation of German cinema in Buenos Aires in the period from 1935 to 1939, with the outbreak of war. There, we analyzed the role of the main German cinema distributors, their contacts with German producers and with a certain theater circuit. We deal especially with the titles that were later censored for being considered «nazi propaganda» in terms of their permanence in theaters and critical reception.

La diplomacia cultural alemana y el cine de propaganda nazi en la Argentina en el período previo a la Segunda Guerra Mundial