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This research is an anthropology of music which discusses the dynamics of strekan music from colonial to contemporary era in Situbondo. In Situbondo, strekan is a term which refers to music for welcoming guests. By ethnography method and postcolonial perspective, this research will discuss social problems and phenomena of strekan music. The result of this research shows that a change of strekan music signifies a change of social condition in Situbondo. In colonial era strekan is assumed by people like music for elite class. The field data show that there is unequal power relation between colonized and colonizer. In pasca-colonial era the hierarchy relation becomes ambivalent. It appears negotiation space between colonial signs and Madurese culture of Situbondo people, considered to be symbolic resistance. Strekan music is reinterpreted as music for low class. In the contemporary era, strekan music tends to market oriented. Strekan music includes dangdut music, following market taste as a consequence of commercialization of art.

The dynamic phenomena of strékan music from colonial to contemporary era in Situbondo