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The purpose of this article is to show, broadly speaking, what was the role of The Prodigal Son by Juan de Espinosa Medrano in the Peruvian Viceroyalty. For this, I present a brief analysis of its baroque 17 Doctor en Literatura Hispanoamericana. Profesor de la Facultad de Filosofía y de la Facultad de Antropología de la Universidad Veracruzana México. 74 |Raúl Homero López Espinosa Caderno de Letras, no 30, Jan-Abr 2018 ISSN 0102-9576 speech, its allegory, based on the precepts given by Marcel Bataillon and Margarita Peña about the Auto Sacramental. In addition, I frame this analysis in the problem of the invention of America proposed by Edmundo O'Gorman. In this theoretical context, I question some of the previous studies developed on the work by Espinosa Medrano; this has been analyzed from the tension established between Creoles and Peninsular people, and between Creoles and Indians. The analysis presented is mainly in this second tension, which includes a couple of positions: in the first, the Indian is marginal, in the second he constitutes a subversive element of the colonial order. I dissent from both, the Indian is central to The Prodigal Son and operates for the benefit of Christian hegemony, the order is to evangelize and subdue the Indians. This not only has repercussion in the literary field, but also in the historical and philosophical ones. In The Prodigal Son, there is an invention of the Andean culture, that is, a creation of The Other Indian from Christianity and Eurocentric thinking. This thesis, which I will argue in this paper, involves a critique of the contemporary debates around the baroque and the decolonization of knowledge which are proposed by thinkers such as Bolívar Echeverría and Walter Mignolo.

LA MEDIACIÓN INTERCULTURAL Y LA INVENCIÓN DE LA CULTURA ANDINA EN EL HIJO PRÓDIGO DE ESPINOSA MEDRANO