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This paper addresses the issue of posthuman bodies in Kazuo Ishiguro’s novel  Never Let Me Go  against the background of organ transplants and prosthetic surgery. The novel posits a number of questions about what qualifies a human being and/or what distinguishes a human being from a clone, suggesting that art, perhaps, might be a discriminating factor. Further, it also raises questions about the kind of regulation should be applied to organs “donations,” especially when they are not voluntary, but part of a programmed response inscribed in someone’s DNA. Accordingly, the last section of the paper will investigate the social impact of the exploitation of the clones and the medico-legal issues pertaining to it.

Supposing the Law: Nomos and Categorical Imperatives in Never Let Me Go