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Today, as announced by this special issue, the contest of interpretation against aesthetic experience appears urgent and timely. For surely a critical profession should clarify its sense of how to proceed before actually engaging to do so. But how are we to have any such sense in advance of an encounter with the literary text, ostensible object of the discipline? I argue that it is only within the limits of critique, as met with in the objectivity of the artwork, that we might be confident of our interpretations.

When Not Communicating . The Critical Potential of the Literary Text and the Limits of Interpretation