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This article consists of a detailed study of the decoration and inscriptions on three stylistically related carved stucco miḥrābs in  ʿIrāq-i ʿAjam . The ones in Urmia and Marand are dated to the Īlkhānī period and bear the names of craftsmen with a connection to Tabrīz. The fragmentary remains of the third, undated, miḥrāb in Tabrīz are then studied, followed by the upper stucco inscription band in the masjid-i jāmiʿ in Urmia. The final section highlights the connections between the material in Iran and related stucco in Mamlūk Cairo. The main aim of this article is to provide as full an account as possible of the decoration and inscriptions of these examples of Īlkhānī stucco, and also to demonstrate the existence of a distinctive regional school of stucco carving centered in Tabrīz. Several newly translated inscriptions are published here for the first time, and the analysis is based on a combination of archival material and new photographs and drawings of the subject structures.

A Tabrīzī School of Īlkhānī Stucco Carving? A Comparative Analysis of Īlkhānī Miḥrābs in Urmia, Marand, and Tabrīz