English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article examines the use of the narrative concept anagnorisis, or recognition, in two recent Norwegian novels, Morten Borgersen’s  Jeg har arvet en mørk skog  and Wencke Mühleisen’s  Kanskje det ennå finns en åpen plass i verden . In both novels, the protagonist suddenly discovers their father’s secret history connected with their conduct during World War II. This revelation causes a new insight into their own and their family’s history and identity, and this in turn brings about feelings of shame and confusion. By using anagnorisis as a narrative device, the novels explore the gradual and ambivalent acceptance of a new identity and negotiations with social and personal expectations tied to being a descendent of a perpetrator.

european journal of scandinavian studies

Genkendelse og ønsket om at glemme. Anagnorisis i Morten Borgersens  Jeg har arvet en mørk skog  (2012) og Wencke Mühleisens  Kanskje det ennå finns en åpen plass i verden  (2015)