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The term Anthropocene is often tied to an anxious awareness of the incalculable complexity of anthropogenic environmental changes. As a concept transferred from geology, the term Anthropocene, for humanities scholars such as Timothy Morton (Morton 2013) and Timothy Clark (Clark 2015), installs a crisis in thinking that is bound to scales of mundane and embodied experiences. Instead, they demand thinking about the impact of human life on the whole planet in much broader scales of space and time than is customary. This article examines how contemporary Nordic ecopoetry responds to these environmental changes and challenges in the epoch of the Anthropocene. The point of departure for this work is Silja E. K. Henderson’s  1,7 tipping point  (Henderson, Silja E. K. 2018. 1,7 tipping point. København) and Jonas Gren’s  Antropocen: dikt för en ny epok  (Gren, Jonas 2016: Antropocen: dikt för en ny epok. Stockholm). The article argues that Henderson’s and Gren’s ecopoetry zooms in on micro-levels and out on larger global macro-levels to represent the scale-dynamics of the Anthropocene. Overall, the article argues that this kind of ecopoetry can affect and transform the reader’s ecological imagination.

Antropocæn økopoesi og komplekse skalaforhold: 1,7 tipping point og Antropocen: dikt för en ny epok