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This essay reviews five different ways in which commentators have described what Hollywood does in remaking European films which audiences frequently regard as having a uniquely intimate connection with their European subjects: Hollywoodizing, Americanizing, Europeanizing, appropriating, and reframing them. After considering the relations among these terms, the problems raised by each of them, and their respective limitations, it proposes a sixth term, scripting, which it argues is less parochial, invidious, or value-laden than any of the others, and more likely to invite further productive dialogue on the subject of remakes that cross cultural borders.

Instead of the real thing: Six ways to talk about what Hollywood does to European films