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The present essay questions the idea generally admitted that „music” could be, under all circumstances, an universal language likely to pull down ideological borders and prejudices between people and civilizations. For his argument, the author takes advantage of the opposition prevailing between european and middle-eastern music on the one hand, pointing out on the other hand the importance of different kinds of music such as classical music, light music, music for publicity, as well as military music. The military music is understood in terms of an epistemological code for different artistico-cultural articulations, specific to highly industrialized countries. In conclusion, the author is forwarding substantial doubts as to understanding music as language without borders, insisting on its socio-cultural, and therefore regional profiles.

La musique – Discours national ou langage universel?