English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

Max Brod’s writing about Franz Kafka is one of the much-debated biographical undertakings of the 20th century, whose impacts still occupy literary scholars. Max Brod himself as well as his own extensive literary and journalistic-essayistic oeuvre is hardly known anymore, and this is also true for the numerous Kafka editions and contributions. Yet Brod’s interpretation of his friend has a life of its own and continues to have a subcutaneous effect. Until his own death in December 1968, Brod attended to his friend’s work with both devotion and appropriation, creating a Kafka cosmos in which he had assigned himself a key position. This constellation thus suggests a particularly close interweaving of autobiographical and biographical writing, which is the focus of this article.

»Es ist viel Liebenswürdiges darin« . Max Brods Schreiben über Kafka