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Written in 1978–79 and published shortly after the fall of the Berlin wall, Christa Wolf’s novella  What remains  records the interior monologue of a day in the life of a cautiously dissident writer under surveillance by the secret police. A latter-day Cassandra here asks herself what remains of the Communist project amidst its ongoing extinction. Subjected at the time to an ideologically motivated media campaign in West Germany, this report from a no man’s land – a  No place. Nowhere  – between East and West remains as valid under global capitalism as it was under Soviet communism. What remains is its search for political, existential and literary alternatives. Its botched reception ironically confirms W. H. Auden’s remark that we don’t read major literature: it “reads us”.

Le futur antérieur de Ce qui reste: Christa Wolf in memoriam