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La nostalgia, la anoranza del regazo materno, la busqueda constante de recuerdos de la infancia, la memoria de la vida familiar son elementos recurrentes y comunes de la obra poetica del peruano Cesar Vallejo y del hungaro Attila Jozsef. Sin embargo, ademas de los motivos tematicos, se encuentran muchos rasgos retorico-discursivos de sus poesias, que tambien aluden –siguiendo la sugerencia de Julio Ortega– a la clara division de al menos dos horizontes temporales: el del pasado anorado y el del presente desilusionado. La ponencia se propone demostrar como la voz oral de la infancia constituye una ruptura sintactica del discurso, en combinacion con el silencio y la mudez, para convocar la palabra materna al presente continuo a traves de algunos poemas de Los heraldos negros (1918) y Trilce (1922) de Cesar Vallejo y de Medvetanc (1934) y Nagyon faj (1936) de Attila Jozsef. Palabras clave: infancia, oralidad, madre, Cesar Vallejo, Attila Jozsef Abstract: Nostalgia, longing for maternal lap, continuous seeking for childhood memories, remembrance of family life – all are recurrent elements in both poets’ work, the Peruvian Cesar Vallejo and the Hungarian Attila Jozsef. However, besides the thematic motives, there are many rhetorical and discursive features in their poetry that allude to the division of at least two temporal horizons: the longed past and the disillusioned present. This article pretends to prove how oral voices of childhood emerge as a discursive fracture in syntax, in combination with silence and muteness, in order to evoke mother’s word in the continuous present, by studying volumes of both poets: Cesar Vallejo’s Los heraldos negros (1918) and Trilce (1922), and Attila Jozsef’s Medvetanc (1934) and Nagyon faj (1936).

La oralidad como horizonte temporal de la infancia y del hogar materno en la poesía de César Vallejo y Attila József