English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Tools annual

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Presents the access of premium content as premium feature

Premium Content

Global: Zendy Plus annual

Global: Zendy Free Plan

The emergence of postmodernist fiction in Africa has become both a literary phenomenon and an answer to the all-important question of evolving a style that adequately presents the subject matter. Plagued by the density and morbidity of societal ills, the African novelist rises to the challenge by coming out with a new style that literally oozes out with the chaos and disorder s/he observes in her/his society. The contemporary African novel can thus be perceived as going through a period of stylistic innovation. This innovative artistic thrust is not inadvertent; rather, it is a reflection of the socio-historical realities of its enabling society. Thus, the contemporary African novel is mostly couched in postmodernist mode in an attempt to signify the anomic nature of the African postcolonial milieu. It is against the backdrop of the foregoing that this paper attempts an examination of the blend of the features of Postcolonial literatures and Postmodernism in the contemporary African novel. Bandele–Thomas’s The Man Who Came in from the Back of Beyond and The Sympathetic Undertaker and Other Dreams are used as the launching pad of the discourse. A thorough analysis of both novels reveals that Bandele-Thomas’s fiction is considerably shaped by the discursive strategies of both postcolonialism and postmodernism.

A parable of the African condition: the interface of postmodernism and postcolonialism in Biyi Bandele-Thomas's fiction