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These verses were written by the bookseller Francois Halma (1653–1722), who lived in Leeuwarden, the capital of the province of Friesland. In 1713 he wrote an extensive poem to celebrate the Peace of Utrecht, which he dedicated to the governors of Friesland. From these verses the reader can discern that Halma identified with Europe and the Dutch Republic (here denoted as ‘the fatherland’) as well as with the province of Friesland. The point he tries to make is clear: on all these different levels the Peace of Utrecht, which ended a long and destructive war, was expected to be beneficial. Halma was not the only poet to celebrate the Peace of Utrecht. It incited many Dutch authors to write literary appraisals: around thirty literary works, including two theatre plays, were published by a wide range of authors.2 Although a large number of texts (approximately one third) were printed in Amsterdam, it would be a mistake to think that the treaty was celebrated primarily in Amsterdam. Pamphlets were also published in Harlingen, Zierikzee, Groningen, Leeuwarden, Leiden, Haarlem, Rotterdam, and Utrecht. In The

9 Visions of Europe: Contrasts and Combinations of National and European Identities in Literary Representations of the Peace of Utrecht (1713)