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The present paper aims to show the rules proposed by English authors to the correct naming of notes during the solmization by means of three representative treatises seventeenth century: The Nevv vvay of making fowre parts (1613 c.) by Thomas Campion; An Introduction to the skill of musick in two books (1655) by John Playford and A compendium of practical musick (1667) by Christopher Simpson.

Solmização: regras para a nomeação das notas de acordo com autores ingleses no século XVII