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THE SECOND SEX (1949) IS A BIG BOOK, but it was a small part of Simone de Beauvoir’s intellectual production. Beauvoir wrote essays and fiction; she kept notebooks and diaries that she revised (significantly) for volumes of memoirs; she sent thousands of letters to her friends, lovers, and fellow intellectuals.1 She wrote to place her life in history and, in classic existentialist fashion, to find meaning in her everyday encounters and relationships. She wrote tirelessly—creating, presenting, and reworking her self.2 It was a high-profile act, and, her critics notwithstanding, an enormously

Sex, Love, and Letters: Writing Simone de Beauvoir, 1949–1963