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Anne Brontë’s deliberate exposition in  The Tenant of Wildfell Hall  of gendered violence as the consequence of the structurally embedded sexism in the Victorian patriarchal socio-legal system is a daring example of feminist critique that was ahead of its time. This article examines the afterlife of Brontë’s feminism in Sam Baker’s  The Woman Who Ran  (2016), a neo-Victorian domestic noir thriller which re(dis)covers and repurposes Brontë’s novel for contemporary women readers. Baker uncovers the ongoing crisis of domestic violence and sexism in professional spheres that persist despite the progress achieved by Western feminist movements to secure women’s rights in the last century. We argue that  The Woman Who Ran  demonstrates just how generative Anne Brontë’s writing remains for conceptualising feminist issues in the twenty-first century.

The Neo-Victorian Feminist Afterlife of Anne Brontë’s The Tenant of Wildfell Hall (1848) in Sam Baker’s The Woman Who Ran (2016)