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This article explores how women writers and collectors of fairy tales in the nineteenth century situated themselves within different contemporary tropes of the tale-telling woman in order to follow their own social and political agendas. By focussing on fairy tales written by Laura Gonzenbach ( Sicilianische Märchen , 1870) and Carmen Sylva ( Pelesch-Märchen , 1883), this paper shows how these writers apparently adapted to and embraced stereotypes of the female storyteller — particularly women’s alleged role as intermediaries, rather than editors, of fairy tales, and their supposed inherent connection to nature. However, historical contextualization as well as in-depth textual analyses expose how the writers in question instrumentalized these tropes in order to follow their own agendas, namely: amplifying women’s voices and questioning gender categories (Gonzenbach), and laying claim to power that is legitimized by a connection with nature (Sylva).

Reclaiming the Female Storyteller in the Nineteenth Century: Strategies of Adaptation and Resistance in the Works of Laura Gonzenbach and Carmen Sylva