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This article explores visual responses in Georgian cities, during April and May 2022, to Russia’s war on Ukraine. Combining visual discourse analysis of “zeitgeist cultural objects” with insights from interviews, an “inventory of socio-semiotic relations” is created to provide a glimpse of ways that Georgian “bi-vocal” identity plays out in the context of a very real nearby crisis. While the items explored cannot account for the full range of views in the society at that specific point in time, they instead offer insights into Georgian perceptions of the war in the light of their nation’s own unique cultural context and relationship with Russia.

“Today, We Are All Ukrainians”—Visual Responses in Georgian Cities to Russia’s War in Ukraine