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Pope.L’s art exhibition  Trinket  (2015) featured an installation of an oversized US flag blown by high-powered wind machines. The artwork generated a choreography among viewers who inadvertently danced with the US flag, reversing fraught dynamics surrounding visibility and spectatorship for work by Black artists.  Trinket  called upon spectators to feel into sensation, rather than adopt a mode of distanced, disembodied interpretation. Informed by embodied racial justice activist Resmaa Menakem, I argue that Pope.L’s  Trinket  connected viewers with somatic experience, enabling them to grapple with ongoing structural racism in the United States.

Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket