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The article covers the issue of high-rise buildings (skyscrapers) construction in Russia as the dialogue of artistic image and intellectual idea. The study shows that the professional commitment to skyscrapers erection brings to the foreground the comprehension of magnitude of the notion of “contemporary” in terms of time. It is important from methodical point of view to return to the initial meaning of the notions that provide for adding authentic meaning to the words “suprematism”, “commitment”, “excellence”, “new”, “high”, and other determinants of creativity capable of going beyond “flying geese” development pattern in architectural shaping. It is well known that V.G. Shukhov’s patents of 1896 were widely used in contemporary morphology of shaping. The heritage of Russian Avant Garde of 1910-20ies serves as an inspiration from methodological point of view (it is more and more evident from foreign master’s creative experience). This is why it is important to return, first of all, to comprehension of the author’s version of the notion “suprematism” ascending to Malevich - meaning commitment to excellence and not the “emblem” of preferences in style. The article includes the arguments providing for the capture of the 2010ies and, especially, 2015-17ies as the years of critical changes in history. Russian masters of architecture started as equals the stage of cooperative creative work with foreign architects erecting skyscrapers.

The Notion of “High” and commitment to excellence in contemporary Russian architecture. History and project: looking into future