English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article discusses the role of  mandements joyeux  or joyful writs in the novel  Rabelais ressuscité  (1611) by the little-known French author Nicolas de Horry. The article first provides insight into the tradition and parodic nature of joyful writs. In a next step, the joyful writs in Horry’s text are identified, and the functions of these parodic passages in the narrative structure of the novel are analysed. Finally, the article demonstrates how an institutional approach to this Early Modern novel, concentrating on the identification of possible readers of the text, can contribute to a better understanding of the critical content of the joyful writs.

Le Rabelais ressuscité (1611) de Nicolas de Horry et la tradition des mandements joyeux